November 17, 2010
is to design a decorative
art born from a human, not from the “decoration” in this term. Human origin and the original decorative arts has not let go of some stakeholders. Renowned art historian Wolfflin on that “history is mainly a decorative art history.” Decorated in primitive society is that people invented the art of aesthetic core. All kinds of pottery patterns for a variety of decorative beauty, formal beauty of the specimens. Decoration is a deliberate form of flavor. It is not only aesthetic form, but also a deeper meaning. It is inclusive of the specific social-emotional and cultural awareness. It is not only “decorative”, from the order, line, form, color, etc. to bring people to adopt the aesthetic pleasure, and is a “cultural”, from civilization, 729c00b4ee02b539808cf0811bf5a8a six symbols, history and other aspects of satisfaction at the deeper structured necessary. Worringer in the “image and empathy” in said: characterized in that the true nature of the decorative arts: the art of the will of a nation lost in the decorative arts the most Chunzhi expression. … … All the decorative arts will form a study of art for aesthetic starting point and foundation. -1 To deal with modern design and decoration is the first study with the same meaning. From the decorative point of view, you can clearly see the development of modern design context.
Gombrich in his writings, “a sense of order,” wrote the second edition of the media in many sentences like: “venture to say that my purpose is to show this book to the subject of the declaration of Vice sychology of Art Deco theme is to create and examine the theoretical claims heads: there is a ense of order existence, which is exhibited in all of the design style, and I trust it roots in humans biological Genetic being ” -2 Brutal modern design is a product of industrialization. Modern design is modern, and modern economy, the supply of modern way of life is the art work flow. In the course of modernist design movement, there are some important design movement, each of these design and decoration of the movement abandoned to some extent. About the use of decoration, or to discard decoration, are largely surrounded by decorative modern design for new development.
A modern design for the decoration of the early use of
(1) “novice Arts and Crafts Movement” and the decorative
reaction from the beginning of 18th century industrial until the late 19th century, industrial technology to reverse the people survival methods, product design, leather and messy in this PCT to develop. People living on the old customs and psychological form and style of products have a very stubborn obsession, which is reflected in the decorative design on the performance characteristics valued traditional decorative taste. Decoration and machinery produced in the conflict between requests to not prevent the birth occurred. Many designers intended participants are reluctant to design of industrial products, industrial products and a large minority of one-sided pursuit of scale, mass production, the product was defective and their decorative beauty, beauty of form factor, styling coarse and heavy, ugly, aesthetic product chewing and style is not high.
1851, the Hyde Park in London, England at the World Industrial Exhibition, focused bare some discord. Exhibits mostly in industrial products, simple appearance. Many products do not add some decent patterns for decoration, decorative want to supplement their formal ugly. But what proved more bad results. Therefore, John? Las gold and William? Morris led a group of people of insight to a lecture entitled “novice Arts and Crafts Movement,” the design reform movement, advocating the artist into a living, combining art and technology, created for the masses to understand and play works, it was opposed to the wind pretense of Victoria, to promote the simplicity of medieval decorative, and learn Japanese decoration, recruit material from nature, to create a new design style, which is a rare fumble. Its influence over the European countries, so that the “new art movement” developed in Europe to muster, in this sense, the “novice Arts and Crafts Movement” opposition to a new decorative pretense, claim 056b9379d58877770d133db4233fb35 four, reasonable design, and retained the arts and crafts , the formation of modern design have a major impact.
(2) “Art Nouveau” and decorative
in the UK, “the old craft art movement” inspired by the late 19th early 20th century, in Europe and the United States and growth of a wide 785a19d73512951034fb0a86c468b5b seven affected throughout the “Art Nouveau” manifested 97e0ca96bae9c7eee8ff76407cff0da two more, furniture, industrial products, c2e19e290794a00cff401bd3345a039 five, gold ornaments, books, etc. The illustrations, as well as sculptures and paintings are also presented within the scope of pure art, a new design style and artistic features. It spread to France, the Netherlands, Belgium, Spain, the United States more than a dozen state and territory, until 1910, mercy, was gradually being “Art Deco” and “modern movement” instead. Block this event to show off style, return to the natural mind, greatly developed the da5a44cb9d26db262916f5574361727 three patterns in the pattern of plant design application, create a kind of aesthetic doctrine decorative style.
French furniture designer Samuel? Bin founded in 1895 called “new art-house” design things and events room, stand designers create new styles. In 1900, they exhibited a “new art-house,” the furniture pieces, made great music into the “new art” in the name of the future spread. The works exhibited violent naturalistic bias. Modeled on plant morphology and structure. This is Samuel? Bin “Back to Nature” slogan the same and so on. “Art Nouveau” to create a very special decoration style. “From Henry? Where Dulwich Stewart room, to Ji Made of imported iron open design in Paris, from Anthony? High pedicle of the building, to the Muka large posters, are not there always been a doctrine of non-historical effort to explore new decorative style. “-3 decorative use of this design movement, naturalistic style of the art and craft and design combine to make education in the 19th and 20th century period design model, a modernist period prelude to the advent of line.
(3) “Art Deco” movement and decorative
“Art Deco” movement in the 1920s and 1930s in France, Britain, the United States and other countries of the design movement, with the modern movement in Europe have almost the same time, each has a certain influence.
With the modernization and industrialization gradually changed people lifestyles, but also experiment with artists to explore a new form of the product line of decorative features of modern life. Held in Paris in 1925, large-scale exhibition “Art Deco exhibition,” the exhibition to show people the “new art” movement after the style of architecture and decoration, in thought and form is the “new art” movement of the pretense of revolution, it against classicism and naturalism, and a simple craft patterns, and argue that mechanical beauty, meow ~ ~ we are not too far out cute, contemporary design from the development process, it is the active sense of the times with the. “Art Deco” movement is not simply a wind-like movement style, it is largely still belong to the traditional design movement. That is, replace the old with the new decoration decoration, the main honor is in the shape and color on the performance of modern content, showing the characteristics of the times.
whether it is “novice Arts and Crafts” movement, “new art” movement, as usual, “Art Deco” movement, they are left from the decorative to the development of new, fair, happy style, < strong> spyder clothing , also expanded its “decorative” art price. This identified herein for the decoration of modern design and innovation play an indirect form of energy factors.
Second, modernist design for the decoration of the negative
we all know, is a modernist design by modern art movement and the “new building” movement of developed, It has a certain social despotism color, exaggerated mechanical United States, features the United States, advocating rational design of simple ideas, applicable, mens northface vest , denying the role of decoration, the confrontation between form and function of the connection up to develop the design and snapped past differences in style.
early as 1892, the United States Chicago school of architects Sullivan has pointed out: “If we can complete within a period of time swore decoration, so join us sensitive to the idea of ??building in the form of sound and beautiful naked on our aesthetic taste which will greatly benefit. “-4 His” form submit function n this formulation, a function declaration and the focus of the doctrine of ideas. “New Art” movement of the central figure, – where? Germany? Wilder in 1894 in his “art eliminate stagnation,” a text, that “the United States the first premise is, Chinese people do not know the knowledge is not (afraid of the future can not find it ~ ~), credentials rational structure of rules and reasonable results into the relevant features of the work. “-5 These ideas become mechanical aesthetic of rebellion. Austrian architect Adolf day? Luce extreme tension advocate function. He was decorated very ill. 1898 in an article he wrote: “only in the United States without seeking sustenance in the form of decoration, arcteryx jacket , which is full of small private class I hope to achieve the purpose.” -6 He also said that “progressive culture that is thrown off from the effective tools on the decoration.” -7 He will decorate the category of “backward” and “pornographic” and “wasted” space. “Decoration is a waste of spirit and, therefore, a waste of their healthy, has never been this predicament, but in Japan it symbolizes the material squandering, which combined the two together means assets in the extravagant.” -81,908 years, Luce issued “decorated with the sin” and its text content to use “decoration that is against the law,” the slogan to summarize synthesis. The practice certainly act on the level of the modern movement to guide thinking, but also the functionalism of modernist design into the design of bias.
Bauhaus movement of the cradle of modern design, but also indicates the arrival of modernist design boom. Bauhaus in 1919, run by the Gropius in Weimar Germany, columbia sportwear , in the short 14 years (1919-1933 years) caused the whole educational process, the design of teaching systems. Promote art and skill combined to form for modernist design. It marks the original decorative state of modernist design was replaced by rational design.
by the Nazis closed the Bauhaus, its important to teach the trunk and the disciples wandering far and wide to the West, so that rational design ideas spread in the context of the whole world. Twentieth century, forty or fifty years of the “international style” is just around the Bauhaus design style of the results. “Domestic style” complete exclusion of decoration, the effect of emotional energy regarded as a first-foot rope. We modernist design, representative of the machine aesthetic of Le? Le Corbusier proposed “Heng-Yu is a shelter dull.” Is a classic mechanical and functional design.
1958, the Mies? van der Rohe and Philip? Johnson Building is designed 纽约西格莱姆 mark of the international style architecture, but also women? van der Rohe, “less is more” design of products, too much emphasis on this section, functional, simple design and human nature more lack of taste, more and more people are feeling tired.
of modernist design and decoration of the exclusion only to the dissipation of decorative taste. The same situation again in the decoration reappeared in new. British quintessence of Peter? Collins in “the evolution of modern architectural design mind,” one wrote: “since the 19th century is simply too much to give up the use of decoration, which results in a decorative, decoration is still nothing more than just replace the dressing?” He thought “Decorative and future death, it is just people do not know; undetected in the structures of the blend.” -9 Modernist design is the decoration and layout of the mixture, the invention of the “no decoration decoration.”
Third, the post-modernist design for the decoration of the revival of
along with people tired of the international style, in the 1960s, designers have introduced the “Pop Design (pop Design), satiation with the aesthetic views of significance. for the tastes of the target. so is the new color and decorative use. and the rise in the 1970s in a variety of “post-modernist” style, designed to dry against the form of internationalism.

“post-modernist” design refers to the “in the modern, international doctrine is designed to use a large number of historical decorative idea for an eclectic style of decorative design,” -10 which there is a clear time segment, from 70 consecutive years to the early 1990s, after they start to dim.
post-modernist design is provocative modernist design, is a modernist, internationalist decorative design of a development against design of the international doctrine, Shao Shao style, advocated decorative techniques to achieve visual aesthetic pleasure, attention consumer of psychological satisfaction in the design history of extensive use of a variety of decorative symbol, but not a brief return to the past, using the is a compromise approach, the traditional cultural context combined with modern design, decorative arts initiated a new stage.
In essence, the post-modernist design is not the subversion of modernist design and negative, but certainly it is hard to factor, based on pay in the form of its moral, emotional call of decorative effect, post-modernist design theory, power giant, American critic, architect and writer Charles? Jenks itself states that: post-modernism is modernism combined with what the other.
plan adopted after a large number of contemporary annals doctrine imposing style, such as Gothic, Baroque style, from classical to art renewed, no are not included, call Mark at decorating, banter, ridicule, exaggeration and symbolic description, in order to integrate various historical styles of mosaic decoration of the results reached, it is eclectic, a lot of works are reactions to this feature. like Charles? Moore designed the Italian American in New Orleans Square. Philip? Johnson AT